Sit with Amy Fishbach, Director of Primary Art Education at The
Agnon School in Beachwood, Ohio, for five minutes and you will know
that this is a woman of tremendous energy, born to connect passionately.
Amy, who teaches children from kindergarten through fourth grade,
has connected so well with her young art students that she was given
the prestigious Primary School Art Educator of the Year Award 2003
by Young Audiences of Greater Cleveland. As part of the award, Young
Audiences produced a video about this inspiring teacher. In the
video, her colleagues, fellow teachers and students were asked to
describe her in one word. Just a few of the words chosen to describe
Amy were “extraordinary,” “vivacious,” “energetic,”
“passionate,” “dedicated,” “unbelievably
creative,” and “authentic,” and that is just a
small sampling!
In her classroom at The Agnon School, Amy introduces her students
to other cultures usually not presented to children of that age.
She stresses diversity in the classroom and initiates creative projects
to start youngsters out with broadened horizons. For example, she
currently has her students studying artwork of the Huichol Indians
of Mexico, which will lead to an art project reflecting what they
have learned. This visionary teacher has also assigned her students
to study the works of such greats as Marc Chagall, Georgia O'Keefe,
Henri Rousseau and the French feminist artist Niki de Saint Phalle,
to name a few. It is a primary art class far removed from coloring
turkeys and cutting out pumpkins. “We are wrong if we think
children can't understand abstract concepts and ideas,” she
says.
Amy trusts her students with every imaginable art form: acrylic
and watercolor painting, clay sculpting, box art, mask making. She
says she feels “enlarged” by their concentration, by
their ability to make connections with artists and understand them.
“I learn from my students,” she says, “I really
do.”
She also gives credit to The Agnon School itself. “I feel
really lucky to be teaching here at The Agnon School, where art
is so well integrated into the curriculum. Integration is one of
the core values of the school.” When her second-graders studied
colonial times, she incorporated a study of traditional quilt making
into her art class and then introduced her students to the contemporary
African-American quilt artist, Faith Reinggold, who combines painting,
quilting and storytelling into her art. The students each wrote
their own story and painted a scene from it, and then the class
created a quilt by stitching their paintings together. For Amy,
there are infinite opportunities to appreciate and create art. And
as schools are increasingly cutting their budgets in the arts, she
bristles at having to justify art classes. “Art and creativity
are what make us human,” she insists.
Amy’s own path to art came about in a roundabout way. During
the 1990s, she lived at a kibbutz in Jerusalem for a year and a
half. She considers the experience as central to her growth and
development. Her only job at the kibbutz was chopping vegetables
for five hours a day. With time left on her hands, she turned to
art. “It was the first time I did art without a teacher telling
me what to do,” she recalls. “It was the first time
I did art out of my own personal need and motivation.” Her
art from that period – landscapes, people, architecture, stones
and cartoon panels of her ordinary life in a kibbutz – merited
an art show of its own at the Jewish Community Center after her
return to Cleveland. She even used her experience in her classroom.
After showing her students the slides she took while in Jerusalem,
she had them create clay studies of the Wailing Wall, Arab fish
markets, the Dome of the Rock and a Christian cross.
Before Amy's influence, her students might have moaned that their
artwork was terrible. “They rarely do that anymore,”
she says. She has taught them that making mistakes is part of the
creative process. “Sometimes,” she tells them, “mistakes
in art can turn into your best ideas!” She opens one of her
many art books for an unhappy student and shows him how his “squiggles”
are similar to the works of Willem de Kooning. With another dejected
student, she demonstrates how her misshapen, colorfully designed
figure is similar to the work of de Saint Phalle. With an encouraging
word for everyone, she inspires confidence in the young people she
teaches.
Amy also believes that education is an ongoing process. She holds
a Master's Degree in Art from Ursuline College, and she is currently
completing a second Master's Degree in Education at Cleveland State.
She is quick to point out, however, that, “All the academic
training in the world will not necessarily make you a good teacher.”
Amy Fishbach loves her job, and loves teaching. “Teaching
makes my work life adventurous,” she laughs. “And the
best part is, I get to keep learning.”
Each issue of Balanced Living Magazine will feature people in
love with their job. We would like to inspire our readers to live
their passion. If you would like to recommend someone for this column,
please send your requests to info@BalancedLivingMag.com.